PROFILE: Semi-Permanent [2016]
It might sound like something torn from the pages of Virginia Woolf’s Orlando, but the quote above comes from Tea Uglow, the Google creative director and tech celebrity, who is sitting on the sofa at Semi Permanent’s offices in Sydney on a sunny autumn afternoon.
PODCAST: Curiosity Lecture Series: On Doubt... [2016]
Podcast of Tea speaking at the Sydney Writer's Festival in 2016.
Also contains the act of 'coming out' as trans in public for the first time :)
BOOK: A Curiosity of Doubts [2016]
PROJECT: Ghosts, Toast, and The Things Unsaid [2016]
ABOUT: "Ghosts, Toast and the Things Unsaid".
Ghosts was performed at the Adelaide Fringe in 2016 where we teamed up with Sandpit to deliver theatre with digital at the core. This article looks at the motivations and excitement and, well, goals, of the project
PROJECT: Editions at Play [2015-2018]
PROJECT: Bar.Foo [2013-2015
PROJECT: TEDdyX [2015]
PROFILE: Collective Magazine [2015]
AS THE creative director for Google’s Creative Lab in Sydney, Tom Uglow has a job many of us dream of, but what really goes on behind the colourful doors of one of the most innovative companies in the world?
Here, he shares what he has learned with The Collective magazine.
I THOUGHT THE INTERNET WAS AWFUL.
PROFILE: Desktop Magazine [2015]
This article appeared in 'Desktop Magazine' in 2015
What we see today as being huge and difficult and complex simply won’t be huge and complex for the next generation. Take phones for example. They seem so ubiquitous, yet smartphones are good at distribution of information because of convenience, not design. In itself a phone does improve on what other ’things’ used to do. Before the phone came the personal computer, and before the PC, surfing the net meant mainframes. Before that we had books, cameras, maps, newspaper - the phone has aggregated all of these in digital forms mainly because it is the easiest 'device' to connect to the internet. Perhaps we should have seen that coming?
PROFILE: Write Track [2015]
Head of Google’s Creative Labs in Asia, Tea Uglow, is about as far at the cutting edge of emerging technology, art and design as it’s possible to be. This year literature and books in all their forms are the focus of his attention. We asked Tom to tell us why and what he sees the future of reading and writing to be.
ABOUT: Books and bookness.
I wanted to write an essay about books: physical, electronic and the new kinds of digital books. It is a subject that preoccupies me. This is about the other "future of literature", not the industry, but the form: why we love literature, and what literature might become, in a digital world.
PROJECT: The Next Stage [2014]
Notes from Watershed's Playable City conference
Beamed from Singapore into Bristol's Watershed - for the Playable City Conference in Sept 2014.
PROJECT: Moodstone [2013]
The Sydney Creative Lab worked with the Japanese design and research agency AQ to explore the concept of mood-mapping via a small hand-held device. The intention was no more than to explore the space, and the outcome of the project is an essay and a video talking about the outcomes of this thought experiment.
PROJECT: Shakespeare's Birthday Hangout [2014]
PROJECT: The Binoculars [2013]
ABOUT: The CUBE @ WIRED [2014]
PROFILE: Financial Times [2014]
PROFILE: ABC Arts [2014]
Alongside the Remix 2014 summit in Sydney, the ABC took the pulse of a few of us producing these short talking head films discussing ideas around ethics, creativity and cities of the future.
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